|
There's a lot of chatter on the socials about auditions picking up soon. Whether or not that proves to be true, actors are always asking: “What can I do for myself as an actor?” Generally, this is followed by immediate despair and doom scrolling. Or perhaps the actor finally updates their website—and then sinks into despair and doom scrolls. So I brought this question to our recent Business of Acting Collective, and together we made an exhaustive list of things we actually can be doing for ourselves. As we talked, I kept coming back to something a mentor said to me once: “If you want something to get clean over there, polish over here.” I've witnessed the strange beauty of this principle over and over again in my acting career and my life. Early in my career, I was banging my head against the proverbial wall. I was taking all the right acting classes, working on my craft at home, doing the business work out in the world—and nothing was hitting. Finally, I got fed up. I dropped everything I'd been grinding away at and turned my attention to something that had nothing to do with acting: fixing up the shared garden in front of my building. It had essentially become a trash can. For a month, I spent what little money I had on plants. I pulled weeds. I cleaned. I put my energy into making something beautiful that I could actually touch. During the third week, I got an audition for Take Me Out at a regional theater. I prepared the role while I finished the garden. And you can probably guess what happened. I booked it. It was the contract that turned me Equity—and one of my favorite roles to date. I've experienced some version of this too many times to dismiss it. I put constructive energy into something within reach. I stop staring at the thing I can't control. And suddenly, something brand-spankin' new—sometimes something I didn't even know I wanted—appears in another corner of the room. My take is that energy is nonlinear. When we get busy creating, growing, building, or improving something, we send out a signal: I'm an actor. I'm an artist. I'm here. I'm working. And sometimes the world sends back opportunities we never could have planned ourselves. If the opportunity is a direct result of the work you put in—bonus. Over the next several days, I'll be sending a series of emails about what we can do for ourselves as actors, tackling a little at a time. It'll help me as much as I hope it helps you. I'll also post links to each email on my Threads account, @LucasJVE, in case you miss any. For now: If you want something to get clean over there, polish over here. Lucas Open Studio Acting, NYC |
Lucas Van Engen is an NYC-based acting coach who helps actors master on-camera auditions and self-tape techniques with clarity and confidence. Through personalized coaching and supportive community-building, he empowers actors to book more roles and grow their careers from anywhere.
Hi Reader, It’s been a minute since I sent one of these. I started this series a while back asking: What can I actually do for myself as an actor? Then the end of the summer got busy with auditions and work, and the series went dormant for a bit. So, let's get back to it. People occasionally come to me for help casting their projects. And when I think an actor might be right, I've noticed I have a pretty consistent way of presenting them. Usually, I start with their Instagram. If there's a...
Hi Reader, I started a series earlier this summer about what we can actually do for ourselves as actors. Then I got a little quiet. Fortunately, the reason was a good one: the end of the summer got very busy. In just the last several weeks, actors I’ve been working with: Booked and shot a major streaming series, working directly with a major director. Two actors booked the same episode of a miniseries. Had a Tony Award winner attach to a feature they’re creating, with the announcement...
I've heard Dax Shepard say some version of this for years: "I compare myself to me six months ago." Every time I hear him say it, I think the same thing. I wish I had that kind of confidence. It's such a simple idea. And yet, my brain doesn't naturally work that way. Like a lot of actors, I compare myself to the person who just booked the role. Or the actor whose IMDb suddenly exploded. Or the friend who's having a great year. It's almost automatic. Comparing myself to me six months ago? That...